Gianfranco Gorgoni, whose photographs of artists and their operates blossomed into artwork on their own, and who documented the generation of some of the world’s most effective-known out of doors installations, died on Sept. 11 at his household in Harlem. He was 77.

His daughter, Maya Gorgoni, reported the induce was cancer.

Mr. Gorgoni photographed Andy Warhol lounging in mattress and posing with a pet. He photographed Bruce Nauman as he produced a perform known as “Corridor Set up With Mirror” at San Jose Condition University in California in 1970. Running in photojournalist manner, he captured photographs of noteworthy figures like Fidel Castro and Truman Capote.

But he was finest recognized for visuals of the genre typically labeled Land Artwork — pieces established in a particular landscape, usually only quickly or, if not, destined to be ravaged by the passage of time. His images of “Spiral Jetty,” the 1,500-foot-very long earthen coil that Robert Smithson made in the Fantastic Salt Lake in Utah in 1970, portrayed that get the job done at its generation as very well as in subsequent decades, as nature experienced its way with the piece, which includes submerging it totally for pretty much 3 decades.

“His photographs realize success by transporting viewers to remote desert locations that might only be imagined usually,” Ms. Wolfe said. “Collectively, Gorgoni’s images assisted to condition world-wide perspectives on modern day art follow in the America West.”

Mr. Gorgoni was born on Dec. 24, 1941, in Rome, the son of an Italian actress, Olga Gorgoni, who died in a carbon monoxide incident when he was 12. He grew up in Rome and in Bomba, in the Abruzzi area of Italy.

“Richard Serra was performing a piece in the corner,” Mr. Gorgoni recalled in a 1983 interview with Bomb magazine. “I assumed he was a mechanic coming to mend a little something.”

Usually with financial assist from Mr. Castelli, Mr. Gorgoni traveled much and wide photographing artists as they made new operate, irrespective of whether Land Artwork or museum installations. Some of those people illustrations or photos ended up gathered in a 1972 e book, “The New Avant-Garde: Difficulties for the Art of the Seventies,” a collaboration with the author and painter Grégoire Müller. In a 2002 post, The New Yorker recalled that the ebook “had a spectacular shot on the deal with of Serra in a welder’s mask, flinging molten direct from a ladle — he appeared like a functioning-class Poseidon.”

In 1985 Mr. Gorgoni published a second guide of his art-entire world images, “Beyond the Canvas: Artists of the Seventies and Eighties.”

In 1974 he married Teta Frye they divorced in 1987. In addition to his daughter, he is survived by a stepson, Frederic L. Miller, and a granddaughter.

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