Ingo Maurer, a German lights designer who was Promethean in his delivery of illumination — fashioning lamps out of shattered crockery, scribbled memos, holograms, tea strainers and incandescent bulbs with feathered wings — died on Monday in Munich. He was 87.

His loss of life, at a hospital, was declared by his business, Ingo Maurer GmbH, which reported the cause was issues of a surgical procedure.

Mr. Maurer had a wonky fascination with technology that took nothing at all absent from his track record as a poet of gentle, as he was usually explained.

His very first lamp, designed in 1966, was a huge crystal bulb enclosing a lesser one. Called basically “Bulb” (his product names would develop into a lot more fanciful), it gained praise from the designer Charles Eames and in 1968 turned aspect of the Museum of Fashionable Art’s collection in New York.

Mr. Maurer traveled to the United States in 1960, settling in San Francisco with his German girlfriend, Dorothee Becker, and working as a graphic designer. He was there for a few a long time, soaking up Pop Art inspirations that resurfaced all over his profession.

“The Italians even considered he was Italian,” reported Mariangela Viterbo, the head of a community relations organization in Milan, who fulfilled him in the late 1960s when he offered Bulb at a trade present in Turin. “In that time period the huge vision of fashionable style was Danish or Finnish. Ingo came with anything a lot more related to our temperament — much more ironic, more joyful. It made a change.”

A crowning moment of disruption transpired at the 1994 Euroluce lights reasonable in Milan, in which Mr. Maurer introduced a chandelier produced of suspended porcelain dish shards. The fixture was at first known as “Zabriskie Issue,” soon after the Michelangelo Antonioni film, which has a scene of a property exploding in sluggish-movement. At the very least a single startled Italian visitor to the good exclaimed, “Porca miseria!,” a phrase that translates approximately as “Dammit!” Mr. Maurer decided that he favored that identify for the chandelier.

A number of Porca miserias! are still created, by hand, each 12 months, but Mr. Maurer was never ever cozy with the large price tag tag, upward of 30,000 kilos (about $38,000), as quoted by at least one web-site. He donated some of the revenue to a loved ones he as soon as satisfied in Aswan, Egypt.

Not absolutely everyone was charmed by his antic types. Reviewing a 2007 retrospective of Mr. Maurer’s operate at the Cooper Hewitt Smithsonian Design Museum in Manhattan, Ken Johnson wrote in The New York Situations, “While some of his items are attractive to glimpse at, his get the job done in standard is so valuable and so busily keen to you should that it will make you pine for the reproving austerity of the fluorescent-gentle Minimalist Dan Flavin.”

Paola Antonelli, the senior design curator at the Museum of Modern-day Art, disagreed.

“I’ve in no way viewed any one experiment with these abandon,” she explained, “and experimentation is the opposite of wanting to remember to.”

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